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Shroud of Turin Exhibition Renews False Claims of Authenticity

Amherst, N.Y.
For immediate release
Contact Matt Nisbet 716-636-1425

April 5, 1998

Shroud of Turin

Beginning April 18, for the first time in twenty years, the Shroud of Turin will be on display to the public in Turin, Italy. Despite well-documented forensic and historical evidence to the contrary, the announced viewing has produced renewed claims that the Shroud of Turin is the authentic burial cloth of Jesus.

The following is a summary of the shroud debate by Joe Nickell, Senior Research Fellow with the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP.) Nickell is the author of sixteen books on investigation and the paranormal including Inquest on the Shroud of Turin. During the 1980's, Nickell served on a team of scholarly and scientific experts that evaluated the shroud claims and found them to be false.

The Council for Media Integrity is a network of prominent scientists, academics and members of the media concerned with the balanced portrayal of science in the media. It was launched at the 1996 First World Skeptics Congress and is sponsored by the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP, www.csicop.org).

For more information, contact Matt Nisbet at 716-636-1425 or SINISBET@aol.com.

Shroud of Turin

The Shroud of Turin Controversy

Joe Nickell

For the first time in 20 years, the controversial Shroud of Turin will be placed on exhibit at its home in northern Italy. Not only are pilgrims expected to flock to the site, the Cathedral of St. John the Baptist in Turin, but many claims are expected to be made for the cloth by its defenders. Some facts are therefore in order.

Historically, the Shroud of Turin is one of some forty reputed burial cloths of Jesus, although it is the only one to bear the apparent imprints and bloodstains of a crucified man. Religious critics have long noted that the Turin shroud is incompatible with the bible, which describes multiple burial wrappings, including a separate “napkin” that covered Jesus’ face (John 20:5–7).

A fake shroud created by Joe Nickell
The Turin cloth first appeared in north-central France in the mid-fourteenth century. At that time the local bishop uncovered an artist who confessed he had “cunningly painted” the image. Subsequently, in 1389, Pope Clement VII officially declared the shroud to be only a painted “representation.”

Years later, this finding was conveniently forgotten by the granddaughter of the original owner. She sold it to the House of Savoy, which later became the Italian monarchy. Eventually the cloth was transferred to Turin. In 1983 Italy’s exiled king died, bequeathing the shroud to the Vatican.

The shroud’s modern history has confirmed the assessment of the skeptical bishop and Pope Clement. Forensic tests of the “blood” — which has remained suspiciously bright red — were consistently negative, and in 1980 renowned microanalyst Walter C. McCrone determined that the image was composed of red ocher and vermilion tempera paint.

Finally in 1988 the cloth was radiocarbon dated by three independent labs using accelerator mass spectrometry. The resulting age span of circa 1260–1390 was given added credibility by correct dates obtained from a variety of control swatches, including Cleopatra’s mummy wrapping.

These findings are mutually supportive. The tempera paint indicates the image is the work of an artist, which in turn is supported by the bishop’s claim that an artist confessed, as well as by the prior lack of historical record. The radiocarbon date is consistent with the time of the reported artist’s confession. And so on.

The approach of impartial scientists has therefore been to let the evidence lead to a conclusion. In contrast, self-styled “sindonologists” (sindon being Greek for “shroud”) typically begin with the desired answer and work backward to the evidence — challenging anything that would seem incompatible with authenticity.

For example, they claim to have discovered microbial contamination on shroud samples that may have altered the radiocarbon dating. Yet for there to be sufficient contamination to raise the date thirteen centuries there would have to be twice as much debris, by weight, as the entire shroud itself! Moreover, the Vatican and the Archbishop of Turin have challenged the sample’s authenticity, and Walter McCrone insists that the fibers shown in photomicrographs of the piece of cloth “did not come from the ‘Shroud’ of Turin.”

For some, belief will always take precedence over historical and scientific evidence. For others, however, the realization that the shroud never held a body should come as no surprise.

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